Tuesday, April 5, 2011

Courage


It's nearly 2 PM now, creeping toward the time when Eva wakes up, and is either surly and groggy for an hour, or is bright, chirpy and running all around. In either case, especially since it's raining intermittently, it spells the end of my quiet reading/writing period of the day. (I resume somewhat when Kate comes home for the evening, but only for a little while.)

I mentioned in the last blog that I'm back to reading history of the American oil industry, which is fascinating in so many respects, including that it forms the unseen skeleton of the general histories of this country you might read: our population explosion, our expansion across the continent, the rise of our industrial and military might. Oil is the only reason we've become militarily involved in places like Iraq and Libya (agree or disagree with the interventions as you will).

But I think oil could really serve as the exemplar American industry, exactly how Herman Melville thought whaling was in the mid-1800's. He published Moby Dick in 1851, only 10 years before the first successful oil well was drilled, in Titusville, PA by "Colonel" Drake. Melville's choice of the characteristic American industry--whaling--was eclipsed within two decades by oil. Still, his choice for a symbol--the white whale--of the nemesis each person carries within works much better than The Great White Oil. Or whatever color you'd want to make it. The whale's a living thing and just makes a better symbol.

Of course, that's all nonsense. The point of this blurb was altogether different: courage. See, between 2001-2008, I wasted a lot of time watching cartoons. During study breaks, after the day's work, whatever. I pretty much knew the Cartoon Network's whole lineup, and the (few, honestly) shows that I liked. One of these was Courage the Cowardly Dog, about this little pink dog named Courage, who's afraid of everything.

He has bad teeth and somehat mangy fur and his main abilities are: (1) pulling all kinds of equipment and costumes out of his butt when he needs them in an emergency; (2) screaming; and (3) doing absolutely anything for the love of Muriel, the kindly old woman who takes care of him. (Muriel's husband Eustace hates the dog, of course, the source of much of the cartoon's humor.)

Muriel is a sound sleeper. Her snores shake the timbers of the house. In one episode, an insomniac Sandman snatches Muriel's ability to sleep, so that he can get some rest, and leaving poor Muriel without a moment's bit of slumber for weeks. (Of course, it's up to Courage to get it back.)

That puts me in mind of another reference to sleep I enjoy, from one of my favorite action novels: The Three Musketeers (worth a post of its own, but in essence: D'Artagnan is not the true hero of that story. Who is?). A few of my favorite quotes come from that book, especially:

-Wine makes a man either happy or sad. It makes me sad...
(Athos, drunk, beginning to tell the story of his past to D'Artagnan in the basement of an inn)

In this case, the passage I have in mind isn't so much a full quote, as just the use of what I'm sure must have already been a cliche in Dumas' time. On D'Artagnan's first full day in Paris, having rented a room and having no money for food, he lay down on the floor and "slept the sleep of the brave." That phrase was new to me, and it grabbed my attention hard. That the quality of sleep could describe a person...well, of course. Those with sound consciences, masters of their fear, sleep well.

So I look at Jasper on the couch next to me, and think, Damn, if I could sleep like that, I'd be twice the man I am awake.

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