No real reason for the image, except that I enjoy Samurai Jack, and it's another cartoon I've gotten Kate to like too. Nothing like Metalocalypse last year, though, which was one of those unlooked-for grand slams that come along every now & then in a really good relationship. You know, where something you just offhandedly do or show to the other person, winds up utterly captivating them.
In the fall of 2008 I'd come to like, quite a bit, that blockily animated show about the impssibly successful group of very stupid death metal musicians in the band Dethklok. It's a good-natured show, with good-natured characters (with minor but important--in terms of screen time versus impact--exceptions). These good-natured characters, the guys in the band, inhabit a frequently dark and grotesque, but always privileged, world. They've got the long hair, drab clothes and aggressive expressions of heavy metallers, but underneath all that bark is very little bite. In fact, the guys are basically Care Bears.
In the fall of 2008 I'd come to like, quite a bit, that blockily animated show about the impssibly successful group of very stupid death metal musicians in the band Dethklok. It's a good-natured show, with good-natured characters (with minor but important--in terms of screen time versus impact--exceptions). These good-natured characters, the guys in the band, inhabit a frequently dark and grotesque, but always privileged, world. They've got the long hair, drab clothes and aggressive expressions of heavy metallers, but underneath all that bark is very little bite. In fact, the guys are basically Care Bears.
But the show is predicated on murder. There's lots of careless, carefree death in this cartoon--horrendous, accidental, burning-torsos-severed-limbs-and-impalements-type death. The guys indirectly cause most of it, and are generally unconcerned, but that's where their stupidity and privilege factor in. Besides, it's all about their music--looking for what's dark and brutal in life. So the show is basically a combination of Blue Man Group, death metal, and death.
How was I to know that Kate would fall in love with the show almost instantly? I've kind of stalled out on the Pup & Ben series, though I'm on the verge of that vague part where we had several dates in a short span of time and our recollections would start to markedly differ (part of the reason I hesitate)--but on one night, I brought Kate over to my place to listen to a bunch of music (I introduced her to my favorite--Eva Cassidy--and then introduced her to one of her now-favorites, Dougie MacLean).
It was getting late, and we'd listened to enough music for a while, so I fired up a Metalocalypse episode. I think it was Girlfriendklok, where Nathan (the lead singer) has become abjectly whipped by a coldhearted girlfriend and is now neglecting the band. So the boys decide to do a little shock therapy on him. At one point, they shock him electrically, while he's tied to a chair, and the animation of Nathan's hair flared in all directions at once, his head bouncing back and forth, and his "wrrbbb-bb-lll--gghh--bbll--aghh--bbbrr--gghll--aahhgh!" voicevoer left me helpless with laughter. (Yes, you'd need to see it to imagine it well. But as physical humor goes, I found it pretty entertaining.)
Kate laughed hard too.
So she was hooked. She proceeded to buy me both seasons' DVDs, which we've since watched many times. Many times.
(For the record, we're both highly disappointed in Season 3, the supposed conclusion (there are genuinely evil characters out to demolish the band, and events are coming to a head). We both assume the creators know what they're doing, since they did put out seasons 1 & 2, after all, but there's no death. The feeling's gone. Murder, and with it the comedy, is missing. In its place is a bad sitcom, with the characters getting steadily angrier at each other and learning very trite lessons about themselves. The show has traded brutalness--comic dysfunction--for emotional brutality. It's missing its zazz. They have half a season to get it back.)
Which brings us to Samurai Jack. I'm not sure where he'd rank on the list of Kate's favorite characters--surely Dr. Gregory House or Kwai Chang Caine would be #1 and the other a close second, but whether Jackie's moved ahead of the boys (based on four strong seasons as opposed to just two), I couldn't say.
But to lay the premise of the show, I'll let one of the main characters speak his own words:
"Long ago in a distant land, I, Aku, the shape-shifting Master of Darkness, unleashed an unspeakable evil! But a foolish samurai warrior wielding a magic sword stepped forth to oppose me. Before the final blow was struck, I tore open a portal in time and flung him into the future, where my evil is law! Now the fool seeks to return the the past, and undo the future that is Aku!"
It's not hard to tell, in the top image, which is Jack and which is Aku. And for your trivia lovers out there, aku is the Japanese word for evil.
The show has garnered many awards for its overall quality--drawing, soundtrack, writing. The landscapes are consistently magnificent--drawn in many different styles, depending on the setting--the dialog is minimal and clever, and the music is a graceful fusion of traditional Japanse kodo drumming and techno (with other elements added depending on the episode). Jack's character itself is exposed by many different lights, some illustrating basic (if caricatured) concepts of the samurai mentality, and most highly comic for the outlandish circumstances this very traditional, cliched character finds himself in. The future is a mixture of technology, magic, heavy industry and still-surviving pockets of nature--with the occasional dose of reverence for (always slightly ridiculous) traditional mythology.
It's something Kate can enjoy, primarily for the propriety and courage of its main character.
We've been watching lots of DVDs the past few months, since our going-out budget is gone for the time being. Now that I'm back to part-time--the second job was more of a contract appointment, and that specific contract has been fulfilled--we're once again out of the frying pan and back into the fire. (If not for the wireless bandwidth she and I are stealing from an unsuspecting neighbor, we'd be almost completely out of internet touch these days.)
So I'm back to having an upset stomach most of the time and staring anxiously at the wooden ceiling planks overhead at night, wondering how many months we can ignore half our bills and slowly fall behind on the rest. It's hard to think of myself as any kind of success--it's hard to think much of any future beyond the next billing cycle--in this state of affairs.
Preparing to work at Ashkelon, and start drawing together knowledge and resources to begin surveying there and start my cultural oceanography career in earnest, seems like empty bravado, more to trick myself than anything else. Confidence is hard to come by.
It's great, for herself and a nice lift for me too, that Kate's gotten involved with a sign language learning service, Signing Time. They market the Baby Signing Time products, like the videos which Eva's already seen many times (and still enjoys...like us & Metalocalypse. : ) I don't want to tell Kate's story for her, if she ever blogs again, but I will say that having the chance to use her signing again, and develop herself into an educator (since she's a born teacher), as well as going through the anxious process of becoming an entrepreneur, is all fantastic for her.
She never quite believed my assurances--and granted, I'm hardly an authority on ASL--that she'd knock their socks off. Just from Kate's own descriptions of her experiences signing and working with the deaf, and her descriptions of how she related to students and teachers last summer, I'd've been shocked if she didn't do well. Kate's empathy and instinct to communicate are too strong not to shine through any means. So I could make an educated guess that she'd knock their socks off--and she did. But to say more would be to intrude too far into her story.
So it's great having Kate feeling newly empowered, enthusiastic about what she's going to be doing, thinking tactically and strategically about her career--not to mention, helping out the family finances. One-income families are a rarity these days, and when I can't even find a full-time job, the results are bad.
Not to harp on money. It's a necessary part of life, if you engage with modern society. The problems we face are mostly of my own creation (due to things I've bought), regardless of the job market. After surviving for one full year with spotty income, my confidence has grown about being able to go on surviving like this, but a quiet sense of futility, in my abilities now and in my hopes for the future, likewise grows. Will it be possible to attact enough money to build a foundation for cultural oceanography work? Will we hold on to this condo, let alone buy a larger home on a plot of land? Is the middle-class life in this country headed for extinction?
Gloomy questions, the kind of uncertainty that's been haunting my brain for nearly two years.
So we have more quality family time at home, watching movies (thanks again for the Netflix, Cori!) and old DVD's of mine that I think Kate will enjoy. (I don't see her going for animes like Cowboy Bebop or Neon Genesis Evangelion--flashy, futuristic stories about characters isolated from one another within their own minds, but with sweet action sequences.) Even sprung for Season 2 of Kung Fu, though the simple shaolin warrior does get slightly tiresome at times. He's sort of like Samurai Jack, minus the magic sword and preposterous plots, plus more complete character development. It gets a little dry. I require a certain amount of silliness and hard action.
So here we are--hanging on, enjoying our life together even though my nerves are often strained. And that's what I like least--that this perpetual anxiety and fearful reserve might settle into my character and become a lifelong trait. That's why I need to keep working on things for the future--like Ashkelon. Like building the business plan for my laboratory. A little bit of bravado isn't a bad thing.