Monday, June 29, 2009
Travels
Friday, June 26, 2009
Necessity
Saturday, June 20, 2009
Friends
Kate and I visited my old buddy Al, and his wife Bianka and two kids Lorelei and Alex, today. Al cooked burgers and dogs, and we hung out on the back deck of their home for three or four hours in the afternoon. Now Al's the kind of guy who can get quite a bit done while never looking overly busy at any given moment (he was seated on a mower and working alongside his house when we arrived. I began mocking him for the height of his front lawn when I saw that he'd already finished the acre out behind). He was class president and I was treasurer for our junior and senior years in high school, which made sense because he was the popular one with the silver 300 ZX convertible, and I was the shy geek with a 30-pound book bag, driving around the old El Camino my sisters had both used.
Of course Katie wanted to hear embarrassing stories, but Al and I just weren't troublemakers. (The wheels came off for me in college, though I wasn't all that creative even then-- just a basement rat.) But in high school, before I drifted, Al and I were guilty only of goody-goody stuff--breaking the occasional speed limit, stealing a sign or two, letting a girl get in the way of the friendship. Lily-white teenage things.
We took a five-week vacation in England and Scotland after graduating college, which included an annoying foray north to the tiny town of Golspie, seat of the Sutherland family castle, Dunrobin. My great grandfather was sent to the New World by the other Sutherlands in the late 1800's, perhaps as part of the family purges of the time. (Robert Service tells such a story in his Rhyme of the Restless Ones--though I like to joke that the smart ones got the boot, and the dumb ones kept the land. Irvine Welsh would seem to agree, at least about the Sutherlands.) Apparently the old man was a rolling stone and it was my grandfather who settled the family in Jersey, where my dad grew up. The Sutherland property on the North Sea shore is grand enough, but the castle was closed by the time we arrived, so we just turned around after about twenty minutes of strolling the area and headed back south. I've got to say, Al handled the disappointment with quite a bit of equanimity.
The trip--five weeks in various tiny apartments, small bed & breakfasts, and a small Fiat we drove around the country--left us pretty sick of each other by the end, and it was several months before we started hanging out again. We learned that our natures are pretty opposite--he's a slow-down-and-relax kind of guy, and I'm a frantic, get-up-and-go type. For brief stretches, like a few hours or a few days at a time, that's great. For five straight weeks, in close contact without any break, it's pretty much hell. So our trip was good, and we saw lots of cool things (Castle Edinburgh rocks, and the city of Edinburgh was worth at least a week by itself. Loch Ness was dark and foreboding enough to suggest the presence of a monster)...but we needed to get away from each other by the end.
We did remain friends--once we got over the trip fatigue things were fine. Though Al got started with marriage and a family several years before I did, we're now back to somewhat similar places in life--unfortunately, including at the moment similar worries about the job market. Al is being something of a big brother to me, warning me about the labors and frustrations of raising kids. In fact, when I broke the news in February of Kate's pregnancy and our plans to get married right away, he responded like I'd've expected a sister to--with about 58 questions, all variations of, "Do you have any &%!#ing clue what you're getting yourself into?"
I was touched, quite honestly.
So, fast-forward to today. Al and Bianka had us up, we ate cookout and spent a few hours shooting the breeze, mostly about kids, pregnancy and baby hardware, and a few mildly embarrassing stories from Al's and my adolescence.
Both Al and Bianka wanted very much to be helpful and encouraging, particularly since Kate's a first-time mother and we've gotten ourselves involved in the family thing so quickly. It wasn't a question-and-answer session, but they dropped plenty of wisdom on us during the course of the afternoon. So, I decided to put together a list of the more memorable thoughts. Here they are:
1.) Intelligent improvisation is sufficient for breastfeeding, and for feeding in general.
2.) Vaseline is an indispensible aid during the first several months, and especially during the first few weeks.
3.) Dealing with the judgmental parents of other children requires immensely more patience and tact than dealing with children.
4.) If you should use formula, the federal government regulates its nutritional content, so the brand name is irrelevant. BJ's is just as good as Enfamil.
5.) Try to avoid socially awkward names, such as those of melancholy spirits of vengeance (Lorelei, in Germany. Maybe Lizzieborden here?).
6.) Steal everything from the hospital room that isn't fastened down, repeatedly on successive days if they restock. You'll find a use for all of it, and they expect you to anyway.
7.) Everybody gives you well-meaning advice. Go ahead and do what you want.
Around six-thirty we left, and drove home with the top down and the heat on (I really love my convertible), and were back in time for me to post this, and then for us to watch Kill Bill Vol. 2 (watched Vol. 1 the night before). Kate and I really haven't found any kind of entertainment that we don't both love (or detest) mutually (excepting live baseball and sports talk radio). During the movie, she might close her eyes briefly when Beatrix Kiddo is slamming Buck's head in a door, and she'll ask what rock salt is and what it has to do with the shotgun wounds, but she's definitely into it. Like how I got her--completely unexpectedly, and she kind of curses me for it--to fall in love with Metalocalypse, the cartoon about the stupid, good-hearted, and wildly successful death metal band Dethklok. Tarantino movies have a similar spirit, showing human innocence in the midst of violent death, at once both raised to an art form and made commonplace.
Okay, this is starting to sound like a mediocre film studies thesis. Basically, Tarantino makes a hell of a flick. (And I aspire to much better writing than mediocre theses.) Time to shut it down for the night, especially since the little bengal is now sleeping on my shoulder. Bye, all...
Wednesday, June 17, 2009
The Wonders of ... Breastfeeding!?!?!
Sunday, June 14, 2009
One...a-two...three...a-four...
No posts last week. We've both gotten busier--Kate at her full-time temp job, and me, inspired by her, to get back to the lab and interpreting sub-bottom data again (the layer cake stuff I successfully turned her on with last fall). Despite our financial situation not improving yet, it's past time I ditched the self-pity and began working on things that matter, even though I'm not currently earning an income. Stalled out is not a good way to live, whatever the circumstances. For a little while, okay, but a timeout shouldn't last the entire game (so to speak). So...timeout over.
We're nearing completion on the sale of the NH dock, which will help immensely, though it certainly doesn't solve all of our short-term problems. Much more promisingly, as encouraged by Katie's brother-in-law Len, I blitzed a bunch of stimulus-act contractors with my resume, and I have an interview with one this coming Friday. If that turns into even a few months' gig I'll owe Len a gigantic debt of gratitude. Those two things, along with Katie's job and our applying for short-term mortgage relief, give me some measure of hope. Feeling unable to provide for us, and needing to rely on the good graces of a creditor because I can't pay, is humbling to the point of anger. But if we close this week and I find work with this company, then even though I'll need to leave town for work, I'll feel again like I'm doing my end of the job for this family.
Despite all that, Katie and I manage to have good times. She remains a budding hoops fan, just as despondent as I am that the Orlando Magic have choked away their best chances and the Lakers will win the championship. We haven't gone out dancing since New Year's, and Saturday while doing our pool-hot tub (legs only for her, Cori! Katie's being very safe)-sunbathing routine, a neighbor reminded us of the evening's Waterfire. For those of you who don't know (that is to say,
everyone from outside of Rhode Island), Waterfire is a summertime (rarely, for holidays, during colder weather) street party in the middle of Providence, where buoys with baskets of burning wood line the centers of the rivers flowing through the city. Music is piped into speakers which line the quaysides, and vendors of food, drinks and kids' amusements line the sidewalks for many streets around. The effect is like a combined street fair, campfire, Druid celebration and European carnival (particularly when you see the mimes, and the gondolas which ply the river). It's a lot of fun, but easy to overdo (especially as it's held every two weeks). The crowds along the river can be difficult to put up with too.
About once a month a plaza near the river is partly covered with a dance floor and stage, and there is dancing. Usually one type of dance is featured. Last night was salsa, but at other times it's swing, Argentine tango, or foxtrot-waltz (lumped into one as "ballroom"). There's a lesson to start, mostly for beginners, and then live music for about four hours, and at some point a performance by high-level dancers (sometimes amateur, sometimes pro). The range of people who go is pretty big--beginners just dropping by, interested beginners looking to learn (which describes Kate), intermediate dance lovers (which describes me), and especially, for dances with folk origins like salsa and Argentine, lifelong dancers who have almost hypnotic style. I have kind of a love-hate relationship with ballroom dancing. I do love it, almost equally to singing, but the competitive aspect of ballroom repulses me. I can be competitve too, and I want to be the sharpest guy out there, but the vanity and disdain for your competition which are so endemic to the sport, and which I start to take on, are things I simply don't want in my life. Every time I see a dancer who gives off that sense I react viscerally against it--as Kate can now attest.
I think of ballroom, or paired dance in general, in terms of three basic ideas: a joyful, almost goofy celebration of life and everything in it, with all the various feelings the music induces; an exercise in precision, coordination and sensitivity; and a relationship between a man and a woman (including a courtesy not unlike that of a martial artist for an opponent). All the latin dances are very sexual and aggressive, and each has a different mood. They share 4/4 time, with a jazz influence of stronger 2 and 4 beats: one-TWO-three-FOUR; but latin drumming is some of the most complicated and hypnotic on earth, and those beats can be artfully covered. Bolero and rumba, the slowest, are almost ominous, with each partner stalking the other. The seduction is already well underway. Cha-cha, slightly faster, with its triple step thrown in between the 4 and 1 beats, is flirtatious in tone, highly charged but the woman seems to reject him during certain steps (or he her). Where rumba and bolero are very serious, cha is playful. Mambo-salsa (virtually the same dance) is faster still, almost adolescent in its gaiety and speed. It's the most purely joyful of all the latin dances--with the possible exception of samba, which is so different it deserves its own paragraph.
Samba, along with waltz and occasionally Argentine, vies for the top spot in my list of favorites. It's a different beat, 2/4, and two measures (or any even number) generally make up one choreographed step. The dance got its start as a street processional dance, and is still to this day. But the street processional was also stylized into a social dance. It's known as Brazilian waltz, because you fit three steps into two beats: ONE...a-TWO...THREE...a-FOUR. Divide the measure into eighths (with each beat being four eighths): the ONE consumes four eighths (the first beat); the "a" takes up one eighth, and the TWO consumes three (together making up the second beat). That kind of foot timing requires a lot of energy and coordination, and it can leave beginners looking like they have springs in their shoes, or like they're trying to shake each other to death. But a coordinated samba...it surges and moves around the floor with the power and grace of a cat chasing its prey, or a sports car hugging curves at high speed. The dance can take on many personalities: dark and aggressive, light and joyous, athletic and exhibitive, tribal and sweaty (I like tribal and sweaty). The strength of the drums and the overall melody set the mood. Actually, one of my favorite sambas comes from the soundtrack to George of the Jungle: just a bunch of drums, and a gang of guys singing "OO-ma-WEH." For some reason I love it. (For some reason, I also love Japanese cartoons about futuristic interplanetary bounty hunters, but I don't think the two interests are related.)
I'll talk some other time about the smooth dances like waltz, foxtrot and tango. I'll also write about swing (which is my least favorite. Kind of like saying oatmeal raisin is my least favorite cookie. Cookies are great things, and I'll accept any, but my heart belongs to chocolate, not raisins).
So last night was salsa night at Waterfire, and Katie and I dropped by to see the lesson, which I disdained. She learned the basic step in less than five minutes from me, and in about six dances was doing all kinds of turns and spins, so I felt okay just walking on by and waiting for the band to start up. We watched the firestarting processional--somewhat dramatic itself with the firedancer on the lead boat--and went back to the dance floor, where the eight-piece band was live. We did a few ourselves, and Katie got back into the step, moving her hips like a lady should (don't tell her to do the Helen Keller!) and learning the beat. After two or three songs we took a break, went to watch the flames, and then came back. This time we watched, which is a big part of the fun of going dancing: admiring (or disadmiring) other dancers, and picking up bits of style or different moves from the good ones. And there was a range, even among the good dancers: those who did more folk-style salsa, the latinos and latinas, with a lot of clever hand leads and behind-the-back passes; those who just sort of juked, cleverly, to the music; and the ballroom-trained, step-just-so crew.
I saw one such couple who offended me deeply. The man looked like a Marine: muscular, big shoulders, close-cropped hair, wide jaws, fierce expression on his face. The woman, in heels, was slightly taller than he, dark-haired and voluptuous. Technically, they were very good. Every step, every lead, every line was precise, nicely timed, not rushed or violent. (Lots of strong guys wrestle their partners around the floor with varying amounts of force. Not Mr. Marine.) I was a little jealous of his skill, since I'm way out of practice. But the joylessness of his face excited my spite, to the point that I said nothing good about either of them, and condemned them to Katie as boring.
She took personal offense to this, being a beginning dancer who hopes someday to be as skilled as those two clearly were. She took my comment on the dancers as a comment on her. For the first time I can remember since we've met, I didn't back down when she protested, but went on slamming the couple, growing impatient with how she connected them with herself. It was, pathetic as it sounds, the closest she and I have come yet to a fight.
That's pretty ridiculous, isn't it?
Part of it was shame that I'm so rusty right now. But part of it was memory of the hypercompetitive jerks I've met in the dance world, people who believe that their desire to be great dancers makes nearly everyone else unfit for their company. That's the kind of thing I term "empty pride", and it's a good way to tick me off. It took me a while--a few more dances, and a glass of beer--to simmer down. I'm still kind of simmering down, I guess. It has me wanting to start practicing again with Katie. Maybe I'll call the studio, see if they'll let us practice while we're not taking lessons...
Sunday, June 7, 2009
Baby Update
Back to Work
Friday, June 5, 2009
Family
This left Kate feeling a pretty little mix of emotions. One of the big ones was hurt, at not being in the loop. After taking care of Dugs for several months, Katie's become quite close to, and protective of, her. She certainly felt slighted that no one had thought to call her--of course Duggin's own daughters Donna and Karen had been on top of things, but even so, my little bengal shares the love and sense of responsibility, so she felt left out. She was also hurt that Duggin hadn't turned to her for help--that out of too much deference Dugs was keeping her from showing a little more love. There was simple worry. Another daughter (four! Kate's mom Andrea is the fourth) Darlene took Duggin's little daschund Rosie back home with her. For Dugs to let Rosie go is significant. And Darlene might actually take Duggin into her home. So events seem to be moving more quickly now, gaining speed, and Kate's suddenly unsure how much longer her grandmother will be here. And that led to the next feeling, which has come to dominate her evening: grief.
So after hitting the gym (she'd learned about all of this just before we went), she called Duggin herself to check in. According to Kate, Duggin still sounded exhausted, hoarse, and resigned to feeling badly. Kate's consternation deepened.
Both my parents are dead, from cancer. I've learned that you never stop grieving. The grief grows more muted with time, and becomes more of a subtle backdrop to the rest of life, but it's never gone. And I know what it is to grieve for someone who's still alive. So I was surprised to find myself wanting to say the usual trite things like, "I wish there were something I could say." Even observing that living 81 years, and seeing her great-grandchildren (and seeing another great-grandkid growing inside Kate herself) is a life well lived--the same thing I said about Gram a week ago--seemed shallow and foolish. Words can't possibly control mourning: they can't really make an impact on it. So a kiss and a long hug once we got home had to suffice.